How you can make a powerful Indian Television Serial.

 The fundamental mantra to make an Indian television serial is that it must be never ending. It has to go on till scrapped by the channel producers.

Centered on observations over time the next guidelines have been listed since many essential.

The Storyline: As we've mentioned previously the must mantra above the storyline should ideally have maximum elasticity. Means the storyline needs to be structured in this way that it can go on endlessly taking in new angles or triangles or developments or shock treatment or altruistic twists or directorial wish and that it shouldn't get caught with a dead end. You just cannot afford to aim at a most logical end, because you have to aim at earning the utmost revenues possible-both for you and the TV channel. If revenues are observed to be dipping the channel producers will automatically and abruptly end it. This does not signify the storyline ends there.

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The Characters: Following as a corollary from the above mentioned the characters of your serial should really be immense in numbers and stupendous in characterization. Mostly huge joint families are preferred with distant relatives thrown in as and when necessary. Please do not set any limits on the varied couple you can make which range from the granddad-grandma someone to the great grand son or daughter vs. great grand in-law couples, if possible. You have to likewise have a rich reserve of dormant characters just to create them alive and kicking depending on the twist-wish necessity. And, also for the dreadful eventuality of the serial inevitably heading for a most logical end you can just withdraw from the reserve and manhandle it on to the endless track again. Say no to the frowns and scowls of the channel producers. Always.

The Location: You've no choice here as a result of the above mentioned conditions. You have to will have an enormous posh bungalow with a gigantic hall and inner staircases leading to the galleries and rooms above. This requirement is irrespective of whether your serial is urban or rural based and if the protagonist is a software billionaire or perhaps a down to earth cultivator. You have to understand, you need the space to maneuver your abundant volume of characters around and showcase their emotions. You need the demonic hall, because during a dramatic moment you've to fall into line all your characters there and go on taking their reaction close ups endlessly with the cameras doing go-rounds or vertical assaults.

Before we proceed to other crucial guidelines let's have a break. We achieve this in sympathetic acknowledgement of the nut breaking importance of breaks for a serial.